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Egglestonworks joins our loudspeaker range

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LINN LP12 Building

I've been fascinated by the LP12 for 39 years. This fascination began when I was in my early 20's and was loaned one by a customer. It did "something" to the music. I had an Ariston RD11 at the time. On the face of it these were pretty much the same turntable. But did they sound the same? No Sir they did not. And I had to figure out why and I wanted to add this product to our store.

It was a while before I could convince LINN to give us the product because we were a new and untried business. That took 4 years.


Linn launched the LP12 in 1973. It was their first and their most successful product. Since 1973 they have sought to improve every aspect of it, using new developments in technology and internal investment.

“Triggers broom.
What do you want that for?”


This is something that people say to us about the LP12. They say it because Linn have continued to develop and improve the turntable and decided to offer those upgrades to their existing customers. This means that a customer who bought an LP12 in 1973 can have it brought up to current specification if they so wish. And Linn have developed almost all components in the deck. Hence the “Triggers broom” I guess. Some people think this is a bad thing.

The key point here is “if they so wish” and none of the upgrades “need” to be done. Even old decks continue to run and sound good, and of course we continue to service them, even the earliest ones. Linn built them properly and had confidence in their design. Enough to keep investing in its development and to lift the performance ceiling.

So whilst the turntable looks the same; it has undergone dramatic improvements that have pretty much covered every component, as Linn have researched better ways to do things, put them into production and unusually allowed it to be retrofitted to older decks. No other manufacturer does this and we think it deserves to be celebrated.

Another criticism is “they should have got it right in the first place”. I’ll respond by saying the modern road cars are immeasurable superior to old road cars. Some of that is performance, some is reliability and some is safety. It is engineering improvements and continued investment in R&D which drives what is possible forward. F1 developments wind up in family saloons. Whilst nothing diminishes the outstanding nature of some of these earlier cars; they were the “best they could be” at the time of their release. But they have since been surpassed.


The LP12 In simple terms

·        The LP12 plinth is a picture frame.

·        The top plate fits on top and the motor is fixed to the top plate.

·        Underneath it is the bottom board and feet.

·        The power supply, suspension and subchassis are in between. It uses a floating suspension (hung from the top plate by springs). The arm and cartridge is fitted to this.

The design is not unique, far from it. But the continuous support and development is.

Linn manufactures 3 “package” versions of the LP12. They do this to give customers an understandable route into the product and in their usual good, better, best approach.

Majik is the most basic but it has the Karousel bearing and Krane a “made for Linn” arm and an MM cartridge. It offers the best mechanical parts of the turntable. The biggest improvement to Linn over the years has been the bearing development and the Karousel is the best bearing Linn have ever developed.

Karousel

Selekt adds a Kore subchassis, an external power supply called the Lingo IV, an improved, Linn built arm Arko and an MC cartridge.

Klimax adds the Keel SE subchassis, Radikal power supply, Ekos SE, their reference arm and a superior moving coil cartridge. It also has, built into the base, Urika - a high quality phono stage which is also powered by the Radikal power supply. There are two levels of Radikal power supply; the standard Radikal and the Machined version which has twin Utopik power supplies; one for the motor and one for the Urika. This represents the pinnacle of performance from the LP12.

Linn are a precision engineering company and as you go through the range you get greater precision. This means more music is lifted from the groove and less is lost. LOI (loss of information) is the principle which almost all turntables are built on.

Engineered precision means less loss and improvements in the signal to noise ratio. More signal and less noise.

 Upgrading & stepping outside the 3

There’s no one size fits all. However there are various degrees of improvement and some are bigger than others. And we have learned what gives the best return and the most consistent improvements.

It may surprise you to learn that most of the LP12’s we sell are not Majik, Selekt or Klimax. Instead they are turntables we build to match a customer requirements and budget. We hold lots of parts in stock and many of these are traded in as customers upgrade. That enables us to build a higher spec of turntable for less money than it would cost new. Each component is of course tested and supplied with a warranty. We supply complete LP12’s from £1500.

When advising customers we’ve found the best performance is made by upgrading motor unit first. LINN has always maintained that improvements that are mechanical make the biggest difference.

Mechanical first
So when upgrading an existing deck, or building one for a customer; the plinth, the main bearing and the subchassis are the place to start.

Bearing First
Subchassis second
Tonearm third
Power supply fourth
Cartridge

This is not the ONLY way to upgrade but it makes the most sense in terms of performance/value for money.

Electrical Improvements

Lingo 4

These are the next upgrade to invest in.

Basik, Lingo 4 and Dynamik 2 are the three power supplies on offer. The second two offer both 33 and 45 rpm. Lingo 4 and Radikal also require a new motor which is included in the price and is fitted at the same time. Better motor/power supplies offer greater pitch accuracy and generate less noise to get back into the playback system.

We build all the LP12’s we supply. Just as we strip and rebuild turntables we’re servicing or upgrading. So we know and understand them intimately and we have learned what works best.

A full service on an LP12 is £100. We can also take this opportunity to report on the condition of the belt and the service and to suggest possible upgrades if there is interest. As part of the service we clean, lubricate, tighten and replace springs and grommets with the latest type. We always finish by listening to ensure the turntable sounds as it should.

We're happy to build, service or fix LP12's. Come talk to us so we can make owning an LP12 a reality. And it might cost you a lot less than you think.

Here is a breakdown of all the upgrades.

Bearing
Early gold bearing
Black bearing with white liner
Black bearing with black liner
Cirkus bearing
Karousel bearing

Subchassis
Pressed Metal
As above but glued
As above but thicker
Majik
Kore
Keel (now replaced by...)
Keel SE

Tonearms
LV Basik
LVX
LVX Plus
Basik plus
Ittok
Ekos
Ekos 2
Akito
Ekos SE Current
Krane current
Arko current

Baseboards
Hardwood
Melamine
Metal
Metal with feet (Trampolinn)
Urika - Trampolinn with inbuilt MC Phono stage.

Armboards
Chipboard
Laminated



Power supplies
Original
Valhalla
Lingo
Lingo 2
Lingo 3
Lingo 4 with new motor and tacho.
Radikal
Radikal 2
Radikal Machined versions 1, 2 and now 3.




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Sugden A21 and Yorkshire warmth

Regular customer will now that we sell a fairly wide range of electronics and we do so to offer a choice of what we believe (and our ears tell us) are the best at a given price. Amongst these excellent amplifier designs nestles Yorkshire's very own Sugden and two amplifiers which are so special that they are quite unique.

Sugden was founded by James Edward Sugden in 1967, a  division of Research Electronics. Research Electronics manufactured scientific instruments and test equipment designed for Universities. The A21 was the first audio product to be put into production and was originally branded for a well known local loudspeaker company called Richard Allan.

The A21 was the worlds’ first production pure class A transistor amplifier and a great success.

Class A amplification is a type of analog amplifier operation where the transistor conducts for the entire 360° of the input signal cycle. This means that a Class A amplifier, the transistor is always on. Even when there is no input signal, current still flows through the device. The input signal simply modulates that constant current.

How it works (simple view)

  1. The transistor is biased in the middle of its operating range.
  2. When the input signal increases, the current increases above the idle level.
  3. When the input signal decreases, the current decreases below the idle level.
  4. Because the device never switches off, the output waveform is very faithful to the input.

Advantages

  • Very low distortion
  • Excellent linearity
  • Simple circuit design

Disadvantages

  • Very inefficient (typically ~20–30%)
  • Produces a lot of heat
  • Requires larger power supplies and heat sinks
  • Low power (relative to other designs)

The basic design of the Sugden A21 hasn't changed a great deal since the late sixties. But it has been refined with regard to heat dissipation, chassis design to aid this and component improvement.

Currently Sugden make two versions of the A21 and we stock them both. They offer something quite unique and much closer to valve designs in their sound. And they have enough power to drive most loudspeakers very well up to an including normal listening levels. They do this with a musicality and warmth which is akin to feeling the sun on your skin.

A21 Signature

RRP £2998 in silver or black

Technical Specifications

Gross Weight (packed): 11kgs

Line Input Sensitivity: 170mV for max. out

Phono Input Sensitivity: 3mV/mm, 0.2mV/mc for max. output

Phono Loading: MM 47K MC 470 Ohm

Power Output: 23 Watts into 8 Ohms

Frequency Response: +/-1dB 10Hz-20kHz

Bandwidth: 6Hz-200kHz

Signal to Noise: >83dB

Sugden A21 Special Edition

  • RRP £3995
  • Line Input Sensitivity: 171mV for max. out
  • Power Output: 30 Watts into 8 Ohms, 40 Watts into 4 Ohms (Both Channels)
  • Frequency Response: +/-1dB 12Hz-141kHz
  • Bandwidth: 6Hz-280kHz
  • Signal to Noise: >90dB
  • Gross Weight (packed): 15kgs
  • Dimensions: 115 x 430 x 360mm (hwd)

Many customers have been fooled by the relative low power rating of both these designs. They're both capable of producing beautiful music in real-World rooms with most loudspeakers. We invite you to listen to them and hear just what is so special about these designs. Once heard, never forgotten.

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An afternoon with Gold Note

Friday the 1st of May from 12 till 5 at our Woodseats store.

Find out more here

Everyone welcome. No ticket required. Light refreshments provided. Plenty of parking at the read of the store and on the side streets.

Join Gold Note and ourselves for an afternoon discovering some of their fantastic products. We will feature the excellent phono stages but also reveal that they make many more quite exceptional products.

Gold Note Audio is an Italian high-end audio brand known for designing and manufacturing premium hi-fi equipment, especially turntables, amplifiers, DACs, and loudspeakers.

Quick introduction

  • Founded: 2012
  • Headquarters: Florence, Italy
  • Focus: High-end analogue and digital audio systems
  • Philosophy: Combine Italian craftsmanship, elegant design, and audiophile-grade engineering

Gold Note builds most of its products in-house in Italy, emphasizing precision machining, custom power supplies, and modular designs that allow users to upgrade components over time.

What they’re most famous for

  • Turntables such as the Mediterraneo and Valore series
  • Phono stages for vinyl playback
  • Integrated amplifiers like the IS series
  • DACs and streamers that integrate modern digital playback with analogue systems

Their equipment is often recognized for:

Strong focus on vinyl playback

Warm, musical sound

Beautiful Italian industrial design

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Rega Aos

New MC only middle ground phono stage based on Aura.

UPDATE Aos now on demo.

Priced at £1500 the Aos replaces the outgoing Aria.

Should be on demo soon. Let us know if you'd like one.

AOS MC

The AOS is a dedicated no compromise fully adjustable moving coil pre-amplifier using a circuit design based heavily on our award-winning AURA reference MC phono stage. Housed in a custom made Rega half width case, the AOS will deliver exceptional definition and greater realism to all of your recordings, bringing your favourite vinyl to life. Designed to work with a wide range of moving coil cartridges it has plenty of gain for low output MC’s and excellent load adjustability making it the perfect partner for whichever Moving Coil you are using.

PURE ANALOGUE

The Aos is a two stage “all analogue amplifier” with no digital control circuitry. The fully aluminium case screens the internal circuit from any stray RFI signals. Our designers have avoided including any unnecessary components or circuits that may degrade the signal path. The AOS incorporates many innovative design ideas including a self-adjusting servo control which compensates for any variations in ambient or operating temperature.

The AOS utilises parallel connected, low noise FETs (Field Effect Transistors) configured as a compound pair. The use of FET transistors ensures there is no bias current flowing in the cartridge coil so as not to upset the delicate magnetic geometry of the cartridge. The MC input has the provision for selecting resistive input loading of 70 Ω to 400 Ω and capacitive loading of 1000 pF to 4300 pF. The input sensitivity can be changed by 6 dB via the back panel. An automatic standby feature has also been added which puts the unit to sleep after a period of no signal. This can be deactivated via dip switches located on the rear panel.

The supern New Rega Aos
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Rega news from the Bristol Show

News has reached us that Rega are launching two new products at Bristol this weekend.

The first is the P6 RS! Included is metallic finish, RB880 tonearm from the P8, double pulley motor set up from P8 and the fitting of the superb Nd9 MM cartridge. We believe this will retail for £2000.

Also new and less of a secret is the new MC phono stage - the Aos. At £1500 it features a good deal of Aura (their reference MC phono stage) tech.

More info to follow as we get it.

Hope you enjoy this interview with Roy Gandy.

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Cyrus 80 series

Last week we had a listen to the 1st Cyrus 80 series product. This is an integrated audio system and features a streamer, a DAC, a very high quality MM and MC phono stage and a powerful amplifier. Connectivity is also very good indeed. The chassis is superb and shares the materials and feel of the 40 series but in a larger chassis. This is a weighty beast too. Power output is 150 watts per channel into 8 Ohms.

We've been listening with the PMC Prophesy bookshelf and the combination works exceptionally well. There's control and detail and a great deal of ease to the sound. Nothing is forced or harsh or bright. We believe this product will be available in April and will retail at £5400.

NICO_2

Egglestonworks loudspeakers

These US made speakers have been on our radar for a while but we recently loaned three pairs and I'd like to add a little feedback about them. The models we have are Nico, Emma and Kiva 2.

As some of you know I tend to sit on my computer to one side of the showroom system. Or I work on LP12's at the same location. It means I can speak to customers and keep an eye on things whilst I am working online or on the LP12's. It also means that I am accompanied by music every hour of my working day. This is both exceptionally good and also exceptionally bad. Good because I love music and bad if the stereo system we have playing isn't up to par. And by "not up to par" I don't mean expensive. What I actually mean is that the system does not get on my nerves and become fatiguing.

Fatigue (or lack of it) is the best way to measure a stereo systems performance. Put simply if it doesn't make you want to turn it down or turn it off then it is very good. And please understand I am talking in person, on the phone, dealing with social media and working on turntables all the time. So I actually have a very low threshold for anything that starts to get on my nerves.

This brings me to Egglestoneworks. These speakers have been on my radar and we've even had them in store once before. Paul Cooper speaks very highly of them and becomes almost romantic over beer.

Lately I have had extremely little time to sit and listen to anything properly due to all manner of circumstances and because of how busy we are. So my listening consists of "whilst things are playing in the background". And it is here that I have discovered an immense respect for Egglestonworks.

These speakers do not impress. They seduce. And they do so magnificently. Nothing about them tires me out. I don't need to turn them down. And I keep hearing things that stop me in my tracks. I realise that this means that to the casual "I'll have a quick listen" customer; these speakers might underwhelm. But see past that and you'll find something truly special.

We anticipate them being on demo late in March and we will hold a launch event subsequently.

https://egglestonworks.com/

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Spendor A2.2 and A4.2

Our new Spendor A2.2 and our A4.2 have arrived. So far we've only managed to listen to the new A2 but I have to tell you that this upgrade is transformational. Levels of detail are unparalelled and beyond the previous model. This with only 4-6 hours on the clock! Impressive indeed.

We'll report back in more detail soon

A2.2 £1995
A4.2 £2995

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