ma-header-logo

Rega P3 special offers

tYMY1WxQ

Bristol News

Here's what we're hearing from Bristol.

Hegel tease The Raven - new highly specced DAC. Word is this is quite superb. We believe it will retail for £4,500 ish. Our man on the ground says -
"The new D50 DAC:

It is with - extreme - pleasure I can finally announce a brand new product from Hegel. The D50 DAC. Please find all relevant information in the attachment, including links to pictures etc. 

Why am I particularly keyed up this time:

The reason I am particularly keyed up about this product is that it is something we designed out of pure passion for sound. In my, perhaps not so humble, opinion the resulting performance is just mind blowing for the price asked. 

What is so special about it:

You can read about it in the paper, but as a "race horse" style product there are a couple of things that very much stands out. 

1) A very special main power supply for minimal noise. It is not just good for the D50 itself, but just connect it to the mains in your room and the whole system sounds better.

2) Extremely short signal paths, where even the DAC chip is hovering over the main boards to minimize signal paths in the digital domain.

3) Particularly great care has been put in to all local power supplies and grounding related to digital circuitry. This ensures very precise switching in the circuits resulting in ultra low phase noise (ultimately jitter). 

You got to hear it to believe it. 

DAC-Loop:

The D50 isn't "just" a very good DAC that will complement almost any system on the market. It also represents an excellent upgrade path for owners of an H300, H360, H390, H590, H400 or even an H600. This is made possible by the DAC loop functionality built in to these amps. 

Rega Launch new Brio

Information is still sketchy but we do know the new 7th generation Brio is 50 watts per channel and has a DAC built in. We estimate it will retail for £799.

More to follow







images (1)

News snippets

Here's a few snippets of news about what we've been up to and whats new.

The first three models of the new PMC Prophesy series have arived. We have the one, the five and the seven. So far we've got about twenty hours on them and they're sounding superb. Build quality and finish are excellent and we're very much liking what we here. Call in for a listen.

Stack Audio have been on our radar for a while and we had good results from some of their LP12 upgrades. More recently they've launched a new mat and a new record stabiliser. Kev and PC have been doing some listening to the Serena mat and Stabiliser (it isn't a clamp) and I thought it high time that I'd report back on it.

The mat makes a difference. It is good value for money and what it does isn't easily explicable. It isn't ground-breaking or earth-shattering but it seems to widen the soundstage. It's good value for money and it's a decent mat.

The stabiliser makes things a little more interesting. Both Kev and Paul said that this is a much bigger improvement and that it also works very well in conjunction with the mat. Stack claim that the reason for this device is to reduce unwanted vibration from where it does the most harm and that's on the vinyl surface. That is something that seems to make a great deal of sense. We're all pleased it isn't heavy because we know that Rega in particular don't like clamps and neither do Linn. I don't think they've taken this view out of anything other than it isn't needed for the coherency of the design. However this isn't heavy and it certainly seems to have an effect. Wizardy of some kind perhaps.

In summary both Kev and PC have order the Serene stabiliser for themselves.

We invite you to try them of course and this is without obligation. The mat is £75 and the Stabiliser is £195.









PL3-RS-hero-4-(1)

New Rega P3 RS - our findings

We've had the P3 RS for almost two months and we wanted to give you a little feedback about how we and our customers are finding it.

You can see the full specs here.

On unboxed we were impressed with the standard of finish and thought the new metalic wrap looked impressive. Different but in keeping of the standard we've come to expect from Rega.

We've seen special edition P3's before of course and quite recently. The idea of offering something as a package with a power supply and at an improved price proved popular with customers with the P3 50. This has been the same in the past couple of months. People like the look of it, like the sound of it and think it offers good value for money.


In the demo room the RS performs as you'd expect, which is to say clearly better than the P3 but not quite reaching the performance levels of the P6.

The differences between the two turntables are still quite notable and are easy to hear through a half decent stereo system. For our innitital listening we used a Rega Elex amp and a pair of Dali Oberon 5 floorstanding speakers. Through the system the RS performs very well indeed. However the P6 is more musical, more involving and more detailed.


Rega call a turntable a device for measuring vibration. As you ascend the range you recover more information from the groove and that means more music. You also find that signal to noise ratio also improves, which is particularly good for older vinyl.

This is good for a few of our older records. Sheffield Steel by Joe Cocker and Famous Blue Raincoat by Jennifer Warnes are pefect examples and we've been using them for over thirty years. So they are not perfect. However on both decks we heard a lot of detail and the imperfections were not so bad that they caused any concern. We don't live in a silent world and background noise is everywhere. If you want silence then digital is the way forward. But then you'd miss that wonderful analogue warmth and the engagement of listening to vinyl.

Of course the RS is a wonderful record player and it sets a very high standard but it still does what it is supposed to do; which is to sit between the P3 and the P6 without ruffling any feathers.

Check out some of the What Hi-Fi? review. Interesting but take it with a pinch of salt and come in and listen at your leisure.


https://www.whathifi.com/news/regas-planar-3-rs-edition-turntable-brings-premium-updates-to-the-standard-model-for-an-elevated-design








Fyne-Audio_0016_F701SP-Front-Goff-Piano-Gloss-Walnut

Fyne Audio joins our loudspeaker range

We're thrilled to announce that we're stocking Fyne Audio. The first speaker to join our range is one hand built in the UK. The F701SP incorporates a 200mm IsoFlare driver from the F1-8, with a refined HF waveguide for smoother frequency response. The sound is detail and natural and timing is superb.

Housed in the critically acclaimed five star F701 standmount cabinet and accessorised with black aluminium anodised trims, it features the proprietary BassTrax LF diffuser on a matching black metal plinth. The speaker’s crossover circuitry has been overhauled and optimised through computational modelling and extensive listening tests. Featuring high grade Claritycap capacitors and Neotech PC-OCC wiring with Gold-plated WBT Nextgen 0703 terminals, it is topped off with our Deep Cryogenic Treatment ensuring you will hear every nuance in any mid to large-sized room.

Specification is as follows

System Type2 way, downwards firing port with BassTrax Tractrix diffuser
Recommended amplifier power (Watt RMS)30 - 180
Peak power handling (Watt)360
Continuous power handling (Watt RMS)90
Sensitivity (2.83 Volt @ 1m)90dB
Nominal impedance8 Ohm
Frequency response (-6dB typical in room)35Hz - 34kHz
Drive unit complement1 x 200mm IsoFlare point source driver, multi-fibre bass / midrange cone, FyneFlute™ surround with 25mm magnesium dome compression tweeter, ferrite magnet system
Crossover frequency1.8kHz
Crossover typeBi-wired passive low loss, 2nd order low pass, 1st order high pass. Deep Cryogenic Treatment.
Dimensions - HxWxD465 x 278 x 393mm (18.3 x 10.9 x 15.5”)
Net Weight - Each14.0kg (30.9lbs)
FinishesPiano Gloss Walnut / Piano Gloss Black / Piano Gloss White / Natural Walnut

More Fyne Audio loudspeaker will be added to our range over the coming weeks and months.
The 701 is in store and on demo now.





Cyrus_Turntable_019-scaled

Cyrus Turntable joins our demo range

Cyrus have thrown their hat into the record playing market and it's taken us a while to catch up. We have heard the turntable before but this time we wanted to spend some time with it and compare it to other offerings from Linn, Rega and Luphonic.

The Cyrus TTP Turntable is the perfect complement to Cyrus' award winning Classic PHONO preamplifier, which has earned a lot of acclaim and made a lot of friends amongst our customers.

The TTP is precision machined from solid aluminium blocks, the plinth and platter are extremely stable for superb vinyl playback capability, while the lightweight (Rega) arm provides an excellent mounting point for your choice of cartridge. The synchronous motor has a custom-designed digital control circuit, ensuring very low wow and flutter with exceptional speed stability.

Specification

Supply requirement 90-264V AC, 50/60Hz
Integrated DC motor drive

Electronic speed control for 33 1/3 and 45 RPM

High precision bearing

Solid aluminium damped chassis

Aluminium platter

Adjustable / replaceable feet

PSX-R2 upgrade port

https://hometheaterhifi.com/reviews/vinyl/turntables/cyrus-audio-ttp-turntable-review/

https://cyrusaudio.com/wp-content/uploads/2022/05/CYRUS-PIG-TTP-V2.0.pdf

Unpacking convinces you that this is a seriously designed and built product. We'll do some listening in the coming weeks and report back further on our findings.

Ekstatik-Ekos-SE-Closeup_72-1-1

The vinyl experience

We're often asked about analogue versus digital. In fact this is something we've been discussing since CD players were invented and nothing has changed. Whilst these days streaming has moved forward the experience and CD has come of age (arguably at the end of its life), growth in sales of vinyl and record players are an increasingly part of this debate.

Clearly both technologies have merit and both continue to develop, even though both technologies are fairly established. In terms of performance we know that both can offer exceptional performance and access to music. But it is vinyl that still invokes the most zeal in our customers both new and old and I thought we'd look at some of the reasons why.


People who prefer listening to vinyl over digital often cite several reasons, which range from aesthetic and nostalgic to more technical ones. Here are some common factors:

Cultural Trend and Community: In recent years, vinyl has seen a resurgence in popularity, with younger generations embracing it not only for the sound but also as part of a cultural or lifestyle statement. Vinyl is often associated with indie, retro, and vintage subcultures, and this sense of community and identity can be a strong draw.

Sound Quality and Warmth: Many vinyl enthusiasts believe that records offer a warmer, more natural sound compared to digital formats. This is due to the analogue nature of vinyl, which some claim can capture subtleties in sound that digital compression might lose.

Nostalgia and Ritual: Vinyl offers a more tangible, nostalgic experience. The physical act of handling records, placing them on a turntable, and the ritual of flipping them can evoke a sense of connection to music that digital formats (streaming or MP3s) can lack. For some, it's about more than just the music—it's the experience.

Album Artwork and Packaging: Vinyl records often come with large, detailed album covers that many collectors appreciate. The physicality of the album, including the cover art, inserts, and overall packaging, offers a more immersive experience than the small, digital artwork displayed on screens.

Collectability and Value: Vinyl records can be seen as collectible items, and some people enjoy hunting for rare or limited edition albums. The tangible nature of vinyl makes it a more permanent item, unlike digital files that can be lost due to hard drive failure or obsolescence.

Perceived Authenticity: Vinyl is sometimes viewed as a more “authentic” or “genuine” way to experience music. Some people feel that vinyl represents a closer, more intentional way of engaging with music compared to the ease and convenience of digital formats.

Listener Engagement: Listening to vinyl often requires more active engagement. You can’t skip tracks easily or shuffle an album, so the listener has to pay attention to the entire side of a record, creating a more focused listening experience. This is markedly different to how people generally stream.

Another thing we're experiencing more is that new vinyl fan can have very high expectations on vinyl being quiet. This isn't always possible and even if it is to start with, then use can make vinyl a little noisier. There's also static too.

For some vinyl lovers, surface noise—such as pops, crackles, and hissing sounds—becomes an important and sometimes obsessive aspect of the listening experience for several reasons:

  1. Authenticity and Imperfection: Surface noise is often seen as a hallmark of analogue audio, making it feel more "real" or "authentic." For some listeners, these sounds add character and warmth to the record. Rather than detracting from the experience, they can create a sense of nostalgia or nostalgia for a time when records were the primary way to listen to music.
  2. Focusing on the Details: Vinyl enthusiasts often have a deep connection to the physical format, and they are keenly aware of all its intricacies. Surface noise becomes part of that focus. Collectors may become obsessed with minimizing or eliminating noise because they want to experience the full spectrum of sound and feel a sense of mastery over their setup. For some, this obsession reflects a desire for perfectionism in their listening environment, as the absence of unwanted noise can signify a high-quality system.
  3. Cultural Norms and Ritual: For some vinyl collectors, dealing with surface noise is simply part of the culture surrounding vinyl records. It’s often romanticized as part of the overall experience of analogue music—people may be drawn to the idea that owning a record and listening to it is something to be tended to with care, much like tending to a garden. Cleaning records, adjusting the turntable, and even worrying about surface noise can become a ritual that deepens the listener's connection to the medium.
  4. Perception of Sound Quality: Many audiophiles obsess over surface noise because they see it as an indicator of the overall quality of the vinyl, pressing, and playback system. A quiet pressing with minimal surface noise is often considered a sign of a high-quality pressing and a well-calibrated turntable. Vinyl lovers may become fixated on removing noise as part of a larger pursuit of the "perfect" listening experience, even though total silence is practically impossible to achieve.
  5. The "Analogue Experience": Vinyl is often appreciated for its imperfections, and surface noise becomes part of what makes it distinct from the sterility of digital formats. In a way, the surface noise acts as a reminder of the physical nature of vinyl—it's a product of the grooves being worn by the needle, a tactile process that many listeners find appealing. The presence of surface noise can be seen as an essential part of the "analogue experience," adding depth and a sense of connection to the music.
  6. A Form of Ownership and Identity: For some vinyl collectors, surface noise also reflects a certain kind of ownership over the record. It can be seen as a personal mark of the record's history—the stories it tells through the sounds it makes over time. Whether it’s from wear, age, or how the record was cared for, these imperfections can tie the listener more deeply to the individual record’s journey.

Ultimately, the obsession with surface noise often comes down to how vinyl listeners view the medium—as an immersive, tactile, and analogue experience with unique qualities that digital formats can't replicate. The presence of surface noise is a part of that, for better or for worse, and those who are deeply invested in vinyl can feel strongly about its impact on their listening experience.

Next time we'll discuss digital in greater detail.

open_all_hours_till

Our stock and the brands we support

We're often asked about the brands we stock and support and with this in mind I wanted to explain. Whilst our stock is a moving feast, the main ingredients often don't change and there's very good reasons for that. I'm also going to take the time to answer some questions that we get asked a lot.

We choose the products we carry on demonstration by listening to them in the same way that our customers listen to them. This will involve comparison with similarly priced products that we stock and understand well. It is a scientific principle to test things and the best way of testing them is to listen to them against other things. If they're better there's a good chance we'll consider stocking them. If they don't there's very little chance we'll stock them.



We're also extremely keen on determining if things are well made and they are reliable and consistent. Build quality bodes well for everything. Reliability bodes well for happy customers. Consistency means if a customer orders one then that unit will sound as good in their home as it did in our listening room.

Perhaps a less expected but also important factor is the people selling, manufacturing or distributing the product. We're people people and if we don't get on with folk then we don't want to be battling them when we experience problems. Experience shows that you see the best or the worst of people when there's a problem. Some companies step up and others fall by the wayside. Partnership or sinking ship. Take your choice.

Some of our best brands also come with excellent relationships with people who will do anything to help our mutual business. Other folk are lazy and won't even get in their car to come and see us to demonstrate a new product. They ask us if we're interested in dealing with them and when we say "could you bring a few bits in so we can get a feel for them" they're unwilling.

In our 43 years we've had a lot of power imbalances. This usually happens with brands that you really want to sell and so they take the opportunity to make demands regarding your stock and how much you have to buy. Sometimes they go to great lengths to tell you that you're doing everything wrong and need to become more like such and such of you want to succeed. Power imbalances however shift and it is hard to maintain respect for people who use such worn and obvious tactics.

Another factor is how well things fit into our range. Some products bring their own issues. An example might be a speaker that only really works at its best with a specific amplifier. So when we hear it in our demo room and it doesn't particularly impress, we're told "ah it's because you're not using the amplification we recommend". This has happened on a few occasions.

Some customers think our range is determined by how much margin we can make on the items. I know this is a huge factor in many retail outlets and clothing in particular. In the hifi industry the most profitable retailer is Richer Sounds and he sells probably the most affordable kit around.

I'm not saying we don't need to make money. That would be ludicrous and of course we do. But the sort of formula that accountants offer are meaningless to our business. We eventually developed our own formula and it is based on customer satisfaction.

Here are some questions we're often asked

Do manufacturers provide your demonstration stock?

No, we buy it ourselves. Occasionally we get left something to try but if we become stockists we have to buy it. I'm happy with that because it shows that we have confidence in our range. It also shows commitment to the brand.

Why don't you stock (insert brand)?

We want to offer the best choice and not the biggest choice. We have probably listened to that brand or product and found it didn't meet our criteria OR we feel we have something better at a similar price.

Why do you no longer sell (insert brand)?

We found something we liked better. Or we found something that was more reliable. Or we found that they didn't offer us the service we expected and switched to a company that did.

Do you spend a lot of time listening?

Yes I listen all the time. Kev and Paul Cooper listen a lot too. We're all enthusiasts and we're in love with music and discovering ways of making it sound better. It is probably the most important thing we do. We also listen when we're helping customers choose.

Thank you as ever for reading






DSC07221

Rega P3 RS now in store

The P3 RS features a new finish and also the plinth from a P6, which is lighter and more rigid. It also has an external Power supply and a ND5 MM cartridge fitted.

Now on demo.






thumbnail-prophecy7-web3

PMC launch Prophecy series

We're delight to announce Prophesy from PMC. This series replaces the Twenty5 series.

Prophecy exemplifies our holistic design philosophy and the culmination of knowledge from designing the professional loudspeakers used to create the music you love.

As innovators, we strive to provide an even greater connection with music, whether you’re making a hit record or movie or enjoying music and movies at home.  As the name suggests, prophecy predicts how fulfilling home entertainment should be by setting new standards for the speaker size/performance ratio with even greater scale, realism, transparency and musicality.  Easy to accommodate, the prophecy series delivers jaw-dropping dynamics, thrilling bass performance and superb sonic pictures like no other design.

Our unique holistic design philosophy considers every design element to eliminate anything that detracts from the ideal musical experience. As in nature, everything should remain in balance – and that’s precisely what the prophecy series delivers.

Never has so big a sound been possible from cabinets so compact; the latest iteration of our groundbreaking patented LaminairX air flow technology unlocks the true potential of our signature Advanced Transmission Line (ATL) and supreme new driver design to create vivid audio pictures equal to the room-filling bass.

The prophecy range comprises five models, from the compact yet mighty prophecy1 standmount and slimline prophecy5 floorstander to the three-way prophecy7 and flagship prophecy9, and there’s a matching centre channel speaker for multichannel systems, the prophecyC.  

There is a model to suit any room and system, fulfilling – and exceeding – the desires of any music or movie lover.


We know there's 1 compact and three floorstanders. As we have more information and stock arrives, we'll let you know.

https://pmc-speakers.com/home-audio/prophecy?fbclid=IwY2xjawG-yulleHRuA2FlbQIxMAABHViLqHTrbAKPUuq6wz3y7fGBxyxKuBA5HyEGRIue88WcUZkBXZl-MKTXyA_aem_um_w8sDVUdSF-vBlfY84ow



© 2022 Moorgate Acoustics Store. All Rights Reserved.