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New Rega P3 RS - our findings

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Fyne Audio joins our loudspeaker range

We're thrilled to announce that we're stocking Fyne Audio. The first speaker to join our range is one hand built in the UK. The F701SP incorporates a 200mm IsoFlare driver from the F1-8, with a refined HF waveguide for smoother frequency response. The sound is detail and natural and timing is superb.

Housed in the critically acclaimed five star F701 standmount cabinet and accessorised with black aluminium anodised trims, it features the proprietary BassTrax LF diffuser on a matching black metal plinth. The speaker’s crossover circuitry has been overhauled and optimised through computational modelling and extensive listening tests. Featuring high grade Claritycap capacitors and Neotech PC-OCC wiring with Gold-plated WBT Nextgen 0703 terminals, it is topped off with our Deep Cryogenic Treatment ensuring you will hear every nuance in any mid to large-sized room.

Specification is as follows

System Type2 way, downwards firing port with BassTrax Tractrix diffuser
Recommended amplifier power (Watt RMS)30 - 180
Peak power handling (Watt)360
Continuous power handling (Watt RMS)90
Sensitivity (2.83 Volt @ 1m)90dB
Nominal impedance8 Ohm
Frequency response (-6dB typical in room)35Hz - 34kHz
Drive unit complement1 x 200mm IsoFlare point source driver, multi-fibre bass / midrange cone, FyneFlute™ surround with 25mm magnesium dome compression tweeter, ferrite magnet system
Crossover frequency1.8kHz
Crossover typeBi-wired passive low loss, 2nd order low pass, 1st order high pass. Deep Cryogenic Treatment.
Dimensions - HxWxD465 x 278 x 393mm (18.3 x 10.9 x 15.5”)
Net Weight - Each14.0kg (30.9lbs)
FinishesPiano Gloss Walnut / Piano Gloss Black / Piano Gloss White / Natural Walnut

More Fyne Audio loudspeaker will be added to our range over the coming weeks and months.
The 701 is in store and on demo now.





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Cyrus Turntable joins our demo range

Cyrus have thrown their hat into the record playing market and it's taken us a while to catch up. We have heard the turntable before but this time we wanted to spend some time with it and compare it to other offerings from Linn, Rega and Luphonic.

The Cyrus TTP Turntable is the perfect complement to Cyrus' award winning Classic PHONO preamplifier, which has earned a lot of acclaim and made a lot of friends amongst our customers.

The TTP is precision machined from solid aluminium blocks, the plinth and platter are extremely stable for superb vinyl playback capability, while the lightweight (Rega) arm provides an excellent mounting point for your choice of cartridge. The synchronous motor has a custom-designed digital control circuit, ensuring very low wow and flutter with exceptional speed stability.

Specification

Supply requirement 90-264V AC, 50/60Hz
Integrated DC motor drive

Electronic speed control for 33 1/3 and 45 RPM

High precision bearing

Solid aluminium damped chassis

Aluminium platter

Adjustable / replaceable feet

PSX-R2 upgrade port

https://hometheaterhifi.com/reviews/vinyl/turntables/cyrus-audio-ttp-turntable-review/

https://cyrusaudio.com/wp-content/uploads/2022/05/CYRUS-PIG-TTP-V2.0.pdf

Unpacking convinces you that this is a seriously designed and built product. We'll do some listening in the coming weeks and report back further on our findings.

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The vinyl experience

We're often asked about analogue versus digital. In fact this is something we've been discussing since CD players were invented and nothing has changed. Whilst these days streaming has moved forward the experience and CD has come of age (arguably at the end of its life), growth in sales of vinyl and record players are an increasingly part of this debate.

Clearly both technologies have merit and both continue to develop, even though both technologies are fairly established. In terms of performance we know that both can offer exceptional performance and access to music. But it is vinyl that still invokes the most zeal in our customers both new and old and I thought we'd look at some of the reasons why.


People who prefer listening to vinyl over digital often cite several reasons, which range from aesthetic and nostalgic to more technical ones. Here are some common factors:

Cultural Trend and Community: In recent years, vinyl has seen a resurgence in popularity, with younger generations embracing it not only for the sound but also as part of a cultural or lifestyle statement. Vinyl is often associated with indie, retro, and vintage subcultures, and this sense of community and identity can be a strong draw.

Sound Quality and Warmth: Many vinyl enthusiasts believe that records offer a warmer, more natural sound compared to digital formats. This is due to the analogue nature of vinyl, which some claim can capture subtleties in sound that digital compression might lose.

Nostalgia and Ritual: Vinyl offers a more tangible, nostalgic experience. The physical act of handling records, placing them on a turntable, and the ritual of flipping them can evoke a sense of connection to music that digital formats (streaming or MP3s) can lack. For some, it's about more than just the music—it's the experience.

Album Artwork and Packaging: Vinyl records often come with large, detailed album covers that many collectors appreciate. The physicality of the album, including the cover art, inserts, and overall packaging, offers a more immersive experience than the small, digital artwork displayed on screens.

Collectability and Value: Vinyl records can be seen as collectible items, and some people enjoy hunting for rare or limited edition albums. The tangible nature of vinyl makes it a more permanent item, unlike digital files that can be lost due to hard drive failure or obsolescence.

Perceived Authenticity: Vinyl is sometimes viewed as a more “authentic” or “genuine” way to experience music. Some people feel that vinyl represents a closer, more intentional way of engaging with music compared to the ease and convenience of digital formats.

Listener Engagement: Listening to vinyl often requires more active engagement. You can’t skip tracks easily or shuffle an album, so the listener has to pay attention to the entire side of a record, creating a more focused listening experience. This is markedly different to how people generally stream.

Another thing we're experiencing more is that new vinyl fan can have very high expectations on vinyl being quiet. This isn't always possible and even if it is to start with, then use can make vinyl a little noisier. There's also static too.

For some vinyl lovers, surface noise—such as pops, crackles, and hissing sounds—becomes an important and sometimes obsessive aspect of the listening experience for several reasons:

  1. Authenticity and Imperfection: Surface noise is often seen as a hallmark of analogue audio, making it feel more "real" or "authentic." For some listeners, these sounds add character and warmth to the record. Rather than detracting from the experience, they can create a sense of nostalgia or nostalgia for a time when records were the primary way to listen to music.
  2. Focusing on the Details: Vinyl enthusiasts often have a deep connection to the physical format, and they are keenly aware of all its intricacies. Surface noise becomes part of that focus. Collectors may become obsessed with minimizing or eliminating noise because they want to experience the full spectrum of sound and feel a sense of mastery over their setup. For some, this obsession reflects a desire for perfectionism in their listening environment, as the absence of unwanted noise can signify a high-quality system.
  3. Cultural Norms and Ritual: For some vinyl collectors, dealing with surface noise is simply part of the culture surrounding vinyl records. It’s often romanticized as part of the overall experience of analogue music—people may be drawn to the idea that owning a record and listening to it is something to be tended to with care, much like tending to a garden. Cleaning records, adjusting the turntable, and even worrying about surface noise can become a ritual that deepens the listener's connection to the medium.
  4. Perception of Sound Quality: Many audiophiles obsess over surface noise because they see it as an indicator of the overall quality of the vinyl, pressing, and playback system. A quiet pressing with minimal surface noise is often considered a sign of a high-quality pressing and a well-calibrated turntable. Vinyl lovers may become fixated on removing noise as part of a larger pursuit of the "perfect" listening experience, even though total silence is practically impossible to achieve.
  5. The "Analogue Experience": Vinyl is often appreciated for its imperfections, and surface noise becomes part of what makes it distinct from the sterility of digital formats. In a way, the surface noise acts as a reminder of the physical nature of vinyl—it's a product of the grooves being worn by the needle, a tactile process that many listeners find appealing. The presence of surface noise can be seen as an essential part of the "analogue experience," adding depth and a sense of connection to the music.
  6. A Form of Ownership and Identity: For some vinyl collectors, surface noise also reflects a certain kind of ownership over the record. It can be seen as a personal mark of the record's history—the stories it tells through the sounds it makes over time. Whether it’s from wear, age, or how the record was cared for, these imperfections can tie the listener more deeply to the individual record’s journey.

Ultimately, the obsession with surface noise often comes down to how vinyl listeners view the medium—as an immersive, tactile, and analogue experience with unique qualities that digital formats can't replicate. The presence of surface noise is a part of that, for better or for worse, and those who are deeply invested in vinyl can feel strongly about its impact on their listening experience.

Next time we'll discuss digital in greater detail.

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Our stock and the brands we support

We're often asked about the brands we stock and support and with this in mind I wanted to explain. Whilst our stock is a moving feast, the main ingredients often don't change and there's very good reasons for that. I'm also going to take the time to answer some questions that we get asked a lot.

We choose the products we carry on demonstration by listening to them in the same way that our customers listen to them. This will involve comparison with similarly priced products that we stock and understand well. It is a scientific principle to test things and the best way of testing them is to listen to them against other things. If they're better there's a good chance we'll consider stocking them. If they don't there's very little chance we'll stock them.



We're also extremely keen on determining if things are well made and they are reliable and consistent. Build quality bodes well for everything. Reliability bodes well for happy customers. Consistency means if a customer orders one then that unit will sound as good in their home as it did in our listening room.

Perhaps a less expected but also important factor is the people selling, manufacturing or distributing the product. We're people people and if we don't get on with folk then we don't want to be battling them when we experience problems. Experience shows that you see the best or the worst of people when there's a problem. Some companies step up and others fall by the wayside. Partnership or sinking ship. Take your choice.

Some of our best brands also come with excellent relationships with people who will do anything to help our mutual business. Other folk are lazy and won't even get in their car to come and see us to demonstrate a new product. They ask us if we're interested in dealing with them and when we say "could you bring a few bits in so we can get a feel for them" they're unwilling.

In our 43 years we've had a lot of power imbalances. This usually happens with brands that you really want to sell and so they take the opportunity to make demands regarding your stock and how much you have to buy. Sometimes they go to great lengths to tell you that you're doing everything wrong and need to become more like such and such of you want to succeed. Power imbalances however shift and it is hard to maintain respect for people who use such worn and obvious tactics.

Another factor is how well things fit into our range. Some products bring their own issues. An example might be a speaker that only really works at its best with a specific amplifier. So when we hear it in our demo room and it doesn't particularly impress, we're told "ah it's because you're not using the amplification we recommend". This has happened on a few occasions.

Some customers think our range is determined by how much margin we can make on the items. I know this is a huge factor in many retail outlets and clothing in particular. In the hifi industry the most profitable retailer is Richer Sounds and he sells probably the most affordable kit around.

I'm not saying we don't need to make money. That would be ludicrous and of course we do. But the sort of formula that accountants offer are meaningless to our business. We eventually developed our own formula and it is based on customer satisfaction.

Here are some questions we're often asked

Do manufacturers provide your demonstration stock?

No, we buy it ourselves. Occasionally we get left something to try but if we become stockists we have to buy it. I'm happy with that because it shows that we have confidence in our range. It also shows commitment to the brand.

Why don't you stock (insert brand)?

We want to offer the best choice and not the biggest choice. We have probably listened to that brand or product and found it didn't meet our criteria OR we feel we have something better at a similar price.

Why do you no longer sell (insert brand)?

We found something we liked better. Or we found something that was more reliable. Or we found that they didn't offer us the service we expected and switched to a company that did.

Do you spend a lot of time listening?

Yes I listen all the time. Kev and Paul Cooper listen a lot too. We're all enthusiasts and we're in love with music and discovering ways of making it sound better. It is probably the most important thing we do. We also listen when we're helping customers choose.

Thank you as ever for reading






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Rega P3 RS now in store

The P3 RS features a new finish and also the plinth from a P6, which is lighter and more rigid. It also has an external Power supply and a ND5 MM cartridge fitted.

Now on demo.






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PMC launch Prophecy series

We're delight to announce Prophesy from PMC. This series replaces the Twenty5 series.

Prophecy exemplifies our holistic design philosophy and the culmination of knowledge from designing the professional loudspeakers used to create the music you love.

As innovators, we strive to provide an even greater connection with music, whether you’re making a hit record or movie or enjoying music and movies at home.  As the name suggests, prophecy predicts how fulfilling home entertainment should be by setting new standards for the speaker size/performance ratio with even greater scale, realism, transparency and musicality.  Easy to accommodate, the prophecy series delivers jaw-dropping dynamics, thrilling bass performance and superb sonic pictures like no other design.

Our unique holistic design philosophy considers every design element to eliminate anything that detracts from the ideal musical experience. As in nature, everything should remain in balance – and that’s precisely what the prophecy series delivers.

Never has so big a sound been possible from cabinets so compact; the latest iteration of our groundbreaking patented LaminairX air flow technology unlocks the true potential of our signature Advanced Transmission Line (ATL) and supreme new driver design to create vivid audio pictures equal to the room-filling bass.

The prophecy range comprises five models, from the compact yet mighty prophecy1 standmount and slimline prophecy5 floorstander to the three-way prophecy7 and flagship prophecy9, and there’s a matching centre channel speaker for multichannel systems, the prophecyC.  

There is a model to suit any room and system, fulfilling – and exceeding – the desires of any music or movie lover.


We know there's 1 compact and three floorstanders. As we have more information and stock arrives, we'll let you know.

https://pmc-speakers.com/home-audio/prophecy?fbclid=IwY2xjawG-yulleHRuA2FlbQIxMAABHViLqHTrbAKPUuq6wz3y7fGBxyxKuBA5HyEGRIue88WcUZkBXZl-MKTXyA_aem_um_w8sDVUdSF-vBlfY84ow



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Moorgate History concludes

In which we conclude and draw plans for the future.

Thanks for staying with me this far. This chapter is short but sweet.

Covid did us good in a number of ways. I think it helped us expand our community of regular customers and focused me on communicating our intentions better. The Facebook group was extremely important in this as it was more immediate and far more “two way”. I could offer advice and information and explain our plans and actions and people could share their thoughts. This is extremely valuable to the business. We listen. I learned this from Farad Azima, the MD of Mission back in the day.

I think Covid also reminded some of us how important music was and is in our lives and particularly when things get tough. I know we’re not the only business to have benefited from this “reboot” but it seemed to be quite invigorating. I think it also made me want to fight harder for the business against all the negativity, the collapse of the High Street and the attempt to derail retail as we once knew it. The attack from all sides can only be resisted by a healthy business and that comes from repeat customers and customer loyalty. For which we are always extremely grateful.

I’ll pause for a rant and it is something that is close to my heart so I hope you’ll indulge me. Big business is destroying retail. It happens because “customers want it” or so we’re told. Big business offers low low prices and no service and that is something that customers want. Or so we’re told by the press and by market analysts.

Big business is also heavily influential and uses its power and promise to get rate reductions and to sway the way councils and government change the playing field. An example of this is the promise to tax web companies operating on brownfield sites (or even outside the UK) to act as a levy to aid retailers who invest in premises and local staff. Various governments have promised this but it never happens. So the larger retailers have massively reduced overheads. And they often pay little or no actual tax in the countries in which they operate. They often pay minimum wage or worse and use the gig economy to opt out of liability to their employees.

This isn’t me whining about competition. We’ve faced competition for over forty years and we have nothing to fear unless the game is rigged. Which it increasingly is and all the players that do the rigging are immense and often of a size that governments like ours simply will not tackle. As such they are able to destroy the high street without fear of repercussion and then claim that the customers are simply voting with their feet. Strangely the press peddle the same message.

Because of this we’ve accepted that we’ll get no help from this government or any that has gone before it. Claims to foster a competitive market usually involve big shlock web businesses who sell stuff a bit cheaper and pay little or no tax. This is extremely curious but I’ll leave it at that.

We believe you need to see and hear the products you’re interested in and we believe firmly that you need to talk to like minded people and enthusiasts in order to make the most informed decision. Retail should be fun and the experience of buying something should be pleasant. We’re not selling tins of beans. That’s why we invest in good premises, have relaxing listening rooms and fill our store with great products.

Our Woodseats store ticked all the boxes. Better in fact that Fitzwilliam Street before it. It also had car parking and this is vital for us and our customers. Business stayed good after the various re-openings and you can bet we opened up as soon as we could and served customers properly.

A website redesign took a lot longer than expected because the previous hosts went out of business and we could not access the site's location. At the eleventh hour we launched our new website as .com and then eventually accessed the co.uk address as well. This has slowly increased in terms of day to day sales, particularly with regard to ex demo, special offers and used equipment. We also sell on eBay, although quite frankly I don’t expect that to last for too much longer as the eBay market seems to be collapsing. It also remains an expensive route to market.

Sadly earlier this year we lost Doug McCarthey and this was a real loss for us. He was a valuable and valued member of the team and was well liked by our customers and our business partners (suppliers). However, nobody is irreplaceable and shortly after, Kev joined us and quickly became at home within the business.

The Future



It’s hard to believe but next year we’ll have been on Woodseats for ten years. We’ve extended our lease and expect to be here for at least another five years. We will extend this further if we can. By can I mean provided the local conditions haven’t changed around us. We’re already hearing rumours that major changes will be made to Woodseats, with regard to traffic. I have been thinking for a long time that “traffic reduction” measures would force us to move again. I hope that isn’t the case but suspect and am planning in case it is. It may simply be that the council doesn’t want cars anywhere in the city center or secondary retail areas like Woodseats and Hillsborough. It will start out as a ULEZ style system of fines and extend to traffic-free zones.

If that were to be the case we will have to move and it will be the last move of my working life and I am not going to move to anywhere that could suffer the same fate. So that means either in the countryside or somewhere on an industrial unit off an A road.

This would force us to change the dynamic of our business but we would fully intend to remain open for traditional retail as well as continuing to develop our online presence.

I’ll hold my hands up and say I don’t like change. Generally we have it forced on us and are told it is for our own good. An example of this is the banks telling us nobody wants to go in branches any more so it is only sensible for them to close them. We all know this is simply lies to enable them to offer us less service, drop the personal touch and give them the upper hand in dealing with us. And of course when we change banks we get the same old same old. It is the same with our utilities, many of the products and services we buy online and it’s getting similar when you try to get a doctor's appointment. 

So Moorgate will remain the antithesis of and an antidote to that for as long as I am able/willing to work. When the outside interference gets too much or too crushing, then it might be time to throw the towel in or to try to find someone with their own vision for the future. My vision is planted heavily in the past and I’m not ashamed to admit it.

Whatever happens we’ll keep you informed and we’ll continue to share our journey with those who wish to read it.

I’ll sign off by thanking you for reading this and for staying with me to the end. These things are written to be read and it's mostly been an enjoyable trip into the vaults at the base of my head. I’ll also thank you for your support and for your custom. Businesses like ours only exist when customer support exceeds costs. At its simplest, running a business IS customer service and relations.

Finally; the conversation goes on. Talk to me and my staff in whichever manner you prefer and we’d be glad to answer any questions regarding any of our history and of course our plans for the future.


Bye for now


Paul Hobson






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LINN winter LP12 Promotion

Running till the end of January.

Linn has announced a Winter trade-in promotion that guarantees a £750 trade-in amount against a new Majik LP12 complete turntable (MC or MM) when you trade-in your existing record player, saving c.20%.

All non-Linn turntables are eligible for the saving, in any condition, as are Linn Axis and Basik decks.

If your current turntable is worth more, we’ll top up the trade-in; if it’s worth nothing, you still get the £750 off.

A complete Majik LP12 comprises:

Standard plinth – black ash, rosenut, walnut, oak or cherry (fluted, high gloss and colour-matched plinths also available)

LP12 comprises

LP12 mechanics and Karousel bearing

Standard subchassis and armboard

Majik psu power supply

Krane tonearm

Fitted with Koil cartridge (MC version) or Adikt cartridge (MM version)

We also build LP12's

To your spec and to your budget. We build from new and used parts to create something unique. Starting from £1499. We normally have a lot of decks and a lot of parts in stock. We also have a wide selection of plinths for you to choose/

Get in touch!

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Moorgate History 6

Challenges continue to come thick and fast

As soon as Woodseats was open and operating as a functional store I once again had to leave Coops and Doug alone for two thirds of the week in order to sort out the old store. This was made more odious when I learned that we had to rip out the structures we’d built. And this needed to be done quite quickly because we were continuing to pay rent and needed to hand the premises back to the two landlords whose property our old store straddled.

The following month was probably the hardest of my life. Myself and a couple of labourers shifted 9 skips full of breeze, rubble and old “stuff” that had been accumulated over 26 years. We ripped up carpets, broke down old display furniture, swept, hoovered and cleaned and then bricked up the gap between the two sections. Rockwool was swallowed.

On the last day my dad joined me and we finally said goodbye to 184 Fitzwilliam Street, locking the doors for the last time and posting them through our landlord's door. I shed more than a few tears I’m not ashamed to admit. It was some consolation that my dad was with me, because he’d been with me when we opened the store. 

Closing any shop that you’ve poured years of your life into is extremely traumatic. Even if it is tinged with the success of a new venture it still feels like failure. I left feeling ten years older and looking like five miles of bad road.

Woodeats becomes established

I really needn’t have worried. Just as customers helped us move, they helped us by remaining loyal and visiting us for all their hi-fi needs. And even old customers who we hadn’t seen for a while seemed to be back visiting us in Woodseats.

Earlier in this history I covered my experiences with the hi-fi press. Their popularity had declined dramatically in the ensuing years. Eventually sales were so poor that the top sellers lost their position in the top 100 magazines and as a result lost their place in many stores and supermarkets and this pushed circulation off a cliff.

Ten years before (give or take) we took the decision to stop advertising in the hi-fi press. This was informed by three factors. 

One was their continued endless recommendation of Richer Sounds. I have no beef with Richer but an “independent” magazine continuing to give 5 star reviews to their own brands (Cambridge and others) was disingenuous and did independent shops no good at all. It was “bought” and paid for by large advertising spend. I repeat I don’t blame Richer but I do blame the magazines.

Two was the aforementioned poor circulation and the diversification to include phones and other tech that we felt was less relevant to us.

Three; the fact that the adverts were expensive and gave us little benefit. My reasoning was that if customers were interested in hi-fi they would google search hifi shops and ours would come up. They would make their way to our website and hopefully by one means or another to us. So we’d invested in our website and all our forward facing social media instead.

Almost immediately we found that this was working. In simple terms it drove in customers and sales. So we upped the posts, the discussions, the pictures and the information. We got involved in Facebook in 2010 and felt fairly at home there. Personally I felt confident using it and grew confident in posting. I’ve never felt the same way about Twitter and Insta and I won’t use Tik Tok or any of that nonsense because I don’t understand it and I don’t particularly know what we’d be expected to say. I don’t feel as if I have confidence in my voice there.


I got into the habit of posting regularly and used Facebook to keep people informed about what we were up to, events, new products, special offers and traded in equipment. And we decided to up the events after taking a break from them towards the end of Fitzwilliam Street.

We’d taken a break because we felt the events weren’t working that well. We’d also got pretty demoralised by the situation with the substance abuse clinic and the increase in antisocial behaviour. I think we took a break because we all wanted one.

On Woodseats myself and the staff had a shorter commute, our own parking and we weren’t facing the endless bollocks of scumbags thieving and beating each other bloody. Moods improved dramatically and so did positivity. With positivity comes progress and we thought it would be a good idea if we started the manufacturer open days again.

We were mostly seeing the same faces and it is true to say those customers were already fairly regular visitors. However it did enable us to catch up and it did allow people to meet and chat with other like minded people and that’s something we felt should not be overlooked. Each event would also call forth a few new customers or get some old customers back in to re-engage. The events drive a spike in business that follows them. We rarely try to sell on the day but the boost in business sometimes takes a while but then lasts a while.

You may be interested in knowing that we’ve long wanted to arrange our own hi-fi show. The only reason this has not taken place is because of our failure to find a suitable venue. And when we have they’ve not been interested in working with us. Most seem content with wedding and craft fayres. We will keep looking.

In many ways the move to Woodseats saved the company. I don’t think we’d have lasted on Fitzwilliam Street for many more years and it would have been the death of a thousand cuts. It also saved my sanity and put me in a place where I had a better grip and understanding of what the business needed to move forward. And of course I can’t underestimate the importance of good staff and the loyalty of our customers.

Our Facebook group

Dad had always realised that we appealed to a small percentage of the population. With this in mind the idea of community was always in our minds. We noted that customers liked to meet when they visited us and they enjoyed chatting about their systems. We’d seen the rise of independent hi-fi shows and Bake-offs where people would meet and enjoy listening and comparing their equipment. We were also seeing people talking in response to our posts on Facebook.

Personally I was involved in some Facebook groups and these were music related. I’d seen the massive potential for people to interact in these groups, sometimes even forming friendships and meeting up in person. This gave me the idea to start a Moorgate group.

I did this in 2019 (I think) and quickly gathered a few regular customers as members. I had been spending a lot of time on other music and hi-fi related groups and to me they were mostly (but not all) absolutely terrible places full of idiotic comment, zealotry, one-upmanship and often bullying. Invariably I’d join and hover for a while, usually biting my tongue and blinking a lot in disbelief. Then I’d possibly comment and then I’d await a reaction which could be scorn, disbelief and disapproval or even anger. Then I’d think “fuck this for a game of soldiers and leave”. People would frequently add me to groups thinking I’d be interested. I almost immediately left.

My time in BADA and Mountain Snow (an initially successful but later ill fated buying group) had made me realise I don’t like groups or clubs. The reason I don’t like them is because the members all say one thing and do another. I have likened this to herding cats. Cats like doing what they want and people tend to be the same. I have no problem with this at all except I was starting a group and I wanted to ensure we didn’t just repeat the same problems I’d found elsewhere.

I never wanted to impose my own ideas on the group. Covid taught me that I am a libertarian and I believe in minimum interference by outside bodies into my life and business. So the last thing I wanted to do was to tell people what to do. I can advise people what to do but I’m not going to tell them what to do. There lies the difference.

Anyway when the group was small we set out some rules. These were extremely simple and based on not being rude, being friendly, recognising that your opinion is just that and no more and for is all to try and keep everything about music first.

Things went well and people were invited to join and slowly the group grew and expanded and now has over 1400 members. This surprises me but in a good way and I am delighted with it. I am even more delighted with the inherent decency and good-naturedness of almost all our members. And anyone who falls outside this is ejected after one warning. 

A few like minded souls were approached to work as admins on the group. Their efforts and work means I can be away from my computer and return to find things orderly and polite. Which really is a joy to me. I’ve always been surprised that my staff don’t get more involved in the group but there’s no mileage in me forcing anyone to do anything they don’t want, especially out of hours. 

The group is a joy to me because it has become a community and a community of people who have a fairly obscure hobby. Here they can seek second opinions, share and get good advice. Most people I speak to admit that they do not know many people who share the same enthusiasm for music or good sound. So finding a group of 1400 similarly minded souls is a joy to them.

If you’re reading this and you’re not a member but think that you might like to discover more then do consider joining us. It is a very welcoming place.

https://www.facebook.com/groups/Moorgate

We’ve kept the group about music first. Hi-Fi being a means to better appreciate it. This is our ethos in everything we do. It is a great testament to the members that the group is and remains (and will remain) a friendly place.

Wax@Moorgate

Moorgate is on three levels at Woodseats and the basement was selected to be our stockroom. However a combination of damp and the wettest year in my memory meant that we took the decision to move the stock up to the top floor. The final straw was the discovery of an emaciated frog down there. We moved him to a nearby cemetery and left him to good fortune with at least a fighting chance of a meal.

This left us with some space that wasn’t really usable. After discussions with our landlord we decided to call in some experts to see what could be done to make the basement usable as it was costing us to rent. We got quotes for tanking after taking advice that it was the only solution. Eventually we settled on a local firm who were the only ones offering common sense. Since the water was somehow getting into the premises to the left of the building; they sensibly suggested tanking that half of the basement. This should and did solve the problem and at 50% of the cost. This is why you can see a step where the counter is located.


The only downside is that good firms are busy and so they worked in between other jobs and this took a little longer than we’d hoped. It did however solve our problem and left us with a usable and dry area. One of my ambitions had always been to open a record store and the timing and the space and the fact that we were already paying rent for it gave us a perfect opportunity. We were also firmly convinced that the vinyl revolution would continue and that a record store would go hand in hand with Moorgate Acoustics.

I’ll admit to knowing nothing about record stores. I knew what I liked and I had an idea what sort of music we’d like to sell. A good friend of mine did a lot of research and came up with the design and look of the store as well as many other excellent ideas. She joined me in being a driving force in the final opening of Wax 5 years ago and works as manager to this day.

We opened with a selection of new and used LP’s and a selection of used CD’s. And we hit a steep learning curve which meant a lot of hard work, a lot of stepping outside comfort zones and a massive learning curve. Running a business is a constant learning curve to be honest as I am sure many of you know.

In the fairly short period of time before covid arrived on the landscape, we could see that Wax would be an asset to us. Initially it drew from our existing customers but soon it attracted its own and in time, some of them began to find their way upstairs. We also felt that we had something of a unique proposition and that it would draw people to perhaps travel a little further to visit us and indulge their passion for music and hi-fi.


Take a tour of the original Wax here;

https://www.facebook.com/reel/861265120914689

And it seemed to be working.

Which leads me to Covid

I could see from the frantic reporting in the early days of Covid that it was going to have a great impact on all our lives. I think we still don’t appreciate how big that impact would be, how much we lost and how heavy the cost would be.

Let me say right now that I don’t trust governments and I don’t trust massive organisations who tell the governments (they call it advising) what to do. They’re all clubs and clubs are full of self-serving people who want to fill their beaks. I mean this non politically and I’m not waving any flag other than that of Moorgate Acoustics. 

When I heard the word Lockdowns mentioned I felt sure that at some point they’d come. They were being mentioned all the time and it was clear we were being prepared for them. They terrified me for many different reasons. Some were personal but most of them related to the way they might impact and possibly even destroy dads company. 

When lockdowns arrived I knew this was a defining moment for us in some way. I knew that we had to remain open in whatever way that we could so that we could continue to engage with our customers. I could not imagine sitting at home and doing this. I can’t work from home. I don’t know how other people can. Far too many distractions. In any event you can’t retail remotely.

We found that we could “covid secure” the premises by hanging some signs up. Not sure who would ever see them because we were not allowed to let customers in. However we could see them and we cleaned when we should and kept to separate sides of the shop. Doug at one end and me at the other. Coops we furloughed because his dad was vulnerable and we were concerned about shielding.

During this time we opened 3-4 days a week and we answered the phone, answered our emails and engaged with our customers on the Moorgate Acoustics Facebook page and more importantly the Facebook Group.

We learned that customers were allowed to collect items from us provided we took precautions. We had to put items in the customers boot, or deliver items onto customers drives. We had to wear masks and gloves and observe social distancing. Scotch eggs were not involved.

We quickly found that the phone never stopped ringing and we received more emails than we were used to. People were also engaging us online and they wanted to buy things. They were off work, they were being paid and they were bored.
I think it is also fair to say that there was a strange dystopian feel to life during this period. There was a lot of worry and there was a lot of fear but married to this was a sort of absurdity with regards to the rules. Rules relating to outside exercise and things like this were also at best strange and at worst comical. All this meant that for people like you and I, music became even more important than ever before. It was the thing that kept us sane.

Business during this period was off the scale good and I think in part this was because a lot of stores closed. Not all but many of them did. We’d get a lot of phone calls that started with “hey!!!! You’re open! I need some equipment”.

A few notable instances arose out of such calls. One customer ordered £30,000 worth of equipment over the phone on the condition that we’d deliver it within a couple of days. He’d been meaning to do it for years but finally had the time. Not all our suppliers were open so we would often have to use our demo stock. Customers didn’t care just so long as they got music at home.

We received fortuitous calls from Rega and PMC. They offered us stock that was sitting in their store rooms and directed customers to us. Within one 5 week period we shifted 159 Rega turntables. They arrived in two drops and filled our entire showroom. PMC was similar but not in such numbers.

The relief was immense when I realised that we might actually survive this virus as a business.

During the 1st lockdown my parents were both diagnosed with Alzheimers. It had been evident for a while that both of them were having memory problems but getting further along with regard to a verdict was taking a long time. In the end I got the diagnosis only because I had more time to chase the NHS to finally provide one based on the tests they’d been doing prior. I had to spend a lot of time with them in order to offer reassurance. Neither mum or dad understood what was going on in the wider world and they’d forget what they were told. This added a lot to my stress levels but none of this was quite so bad when I realised that the business would be ok.

Eventually Paul Cooper returned to work and Doug took a break. We were not sure that we could justify all three of us working in fairly close quarters and I think Doug was ready for a rest. Coops was going stir crazy and was relieved to get out of the house and do something that could provide a distraction.

It remained an exceptionally busy time, as did all the lockdowns and again I thank our loyal customers for this. I also think we came to the attention of a lot of new customers. And the Facebook group went from strength to strength and enabled us to share more and more with our members. The group grew at this time as well.

I feel some guilt to report how we did during covid because it was a terrible time for a lot of people and the country still has not fully recovered from it. It might be years before we do.

By the time the lockdowns ended it had become clear that nobody really knew what they were doing. The advice was conflicting and the powers that be clearly weren’t taking a great deal of notice of the rules. However by the time we were allowed to open our doors again and receive customers we were thrilled to bits to be able to do so.

Initially customers were wary. The mask thing had an effect on some more than others. Some were glad to take them off and some were frightened to do so. We took our lead from the customer and wore masks when it became evident that the customers were more comfortable. When the mask mandate was removed I was the happiest I’d been in a long time.

When we did re-open the store was half empty due to the fact that we’d sold off half our stock. It took us a while to replace it as well because there were massive parts shortages that affected a lot of our brands.


Another covid plus was having a little time allowed me to start building LP12’s out of the parts we’d accumulated over the thirty eight or so years we’d been working on them. My fourth working day was spent building them. As I built them they’d sell and so I’d build more. We also did a lot of upgrade work on Sondeks over the lockdowns and upgrades mean more trade in parts and more Sondeks.

All of these “stories” and activities provided Facebook posts to interested customers and plenty of discussion on the group. During covid the group seemed like one of my better ideas and it had a momentum which continues to this day. A lot of work but a lot of reward.

Thank you for reading. The final chapter will bring us up to date and also look at what the future might look like for Moorgate Acoustics.






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